1810, Oil on paper laid on canvas, 10 1/2 x 10 1/2 in (26.7 x 26.7 cm)
Philadelphia Museum of Art
1812, Oil on canvas, 26 x 36 1/2 in (66 x 92.7 cm)
1814, Oil on canvas, 21 7/8 x 30 5/8 in.
Museum of Fine Arts, Boston
1819, Oil on canvas, 51 3/4 x 74 1/8 in. (131.4 x 188.3 cm)
Frick Collection, New York
c. 1820, Oil on canvas, 21 1/2 x 30 1/2 in (54.6 x 77.5 cm)
The Currier Gallery of Art, Manchester, N.H
1821, Oil on paper laid on canvas, 9 3/8 x 11 3/4 in (23.8 x 29.8 cm)
Royal Academy of Arts, London
1821, Oil on canvas, 21 x 20 1/2 in (53.3 x 52.1 cm)
Yale Center for British Art, New Haven
1821, Oil on paper laid on board, 9 1/2 x 11 3/4 in (24.2 x 29.8 cm)
Royal Academy of Arts, London
1822, Oil on paper laid on board, 12 x 19 1/4 in (30.5 x 49 cm)
Courtauld Institute Galleries, London
c. 1823-24, Oil on canvas, 55 3/4 x 48 in (141.7 x 122 cm)
Philadelphia Museum of Art
c. 1824-28, Oil on paper laid on canvas, 8 3/4 x 12 1/4 in (22.2 x 31 cm)
Royal Academy of Arts, London
1825-26, Oil on canvas, 27 7/8 x 36 in (70.8 x 91.4 cm)
Philadelphia Museum of Art
1827, Oil on canvas, 127 x 183 cm (50 x 72 in.)
The Royal Suspension Chain Pier was the first major pier built in Brighton, England. Generally known as the Chain
Pier, it was designed by Captain
Samuel Brown, RN and built in 1823. The pier was primarily intended as a landing stage for packet boats to
Dieppe, but it also featured a small number of attractions including (initially)
a camera
obscura. An esplanade with an entrance toll-booth
controlled access to the pier which was roughly in line with the New Steine.
Turner and Constable both made paintings of the pier,
King
William IV landed on it, and it was even the subject of
a song.
The Chain Pier co-existed with the later West
Pier, but a condition to build the Palace Pier was that the builders would dismantle
the Chain Pier. They were saved this task by a storm which destroyed the already
closed and rather decrepit pier on December
4, 1896.
The remains of some of the pier's iron piles, sunk
ten feet into bedrock, can still be seen at the most extreme low
tides.
1828, Oil on canvas, 23 7/8 x 30 3/4 in (60.6 x 78 cm)
Cleveland Museum of Art
[헤이들리 성]Hadleigh Castle
1829, Oil on canvas, 48 x 64
3/4 in (122 x 164.5 cm)
Yale Center for British Art, New
Haven
On the Stour
c. 1834, Oil on canvas, 24 3/8 x 31 1/8
in (62 x 79 cm)
The Phillips Collection, Washington
Cottage at East Bergholt
“The Cornfield”
Skizze zu 'Die Schleuse',
1823?, Philadelphia (Pennsylvania), Philadelphia Museum of Art, John Howard McFadden
Blick auf Epsom
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